Also, the suits worn by our space travelers are much more in-line with what NASA would wear over the next two decades of space travel breakthroughs, even if their pastel designs are more there just to take advantage of the film’s Technicolor cinematography. Though at the same time, it is surprisingly prophetic in its depiction of space-age aeronautics and the fact that the journey to the moon at the center of it is less instigated by exploration and more by the U.S.’s desire for military dominance. With its stiff acting and sometimes laughable special effects, it’s very much reflective of the kind of cheesy sci-fi B-movies we associate with the Cold War era. Wells’ The War of the Worlds to the screen a few years later - is by no means a great movie. RELATED: The Best Space Movies of the 21st Century (So Far)ĭestination Moon - the brainchild of producer George Pal, most famous for bringing H.G. However, it's hard not to admire Woman In The Moon's mix of both light-hearted inventiveness and an early attempt to make “serious sci-fi,” while the film’s ending is surprisingly sweet considering the rest of it is filled with characters making decisions based in scientific calculations rather than their hearts.
#Who was really the first man on the moon movie
Still, the movie botches some pretty big scientific predictions in that it sees our moon-venturing astronauts discover that there is in fact breathable oxygen on the moon, so instead of space suits we see them wearing ties and cardigans on their moonwalk.
Taking into account that humanity was still a few decades away from sending astronauts to the moon, the film is surprisingly accurate in its depiction of a multi-stage rocket and how one would deal with the realities of G-force and weightlessness. 1929’s Woman In The Moon is in many ways a companion piece to Metropolis, since it is another collaboration between Lang and his wife, screenwriter Thea von Harbou, and sees a similar interest in bringing the kinds of worlds that were only written about in science fiction novels and comics to the screen. If we’re talking about early innovators in movie sci-fi, it’s hard not to bring up Fritz Lang’s 1927 vision of the future, Metropolis. Still, whether we’re talking about science fiction or true stories of past trips to the moon, it always has the potential to evoke a certain awe and wonder any time a movie whisks us away to that big ball of cheese in the sky.
It’s a fantasy that was able to capture audiences’ imaginations in the decades preceding the 1969 moon landing, while most of the films made since then about going to the moon are either period pieces or documentaries chronicling the space race of the 1960s. Since practically the birth of cinema, we’ve been going to the moon onscreen, though the nostalgic glow of Apollo 10 1/2 speaks to how we’re now often looking back instead of forward when going to the moon in movies.
#Who was really the first man on the moon series
Whether it's the Roland Emmerich disaster movie Moonfall, Marvel’s new Disney+ series Moon Knight, the HBO Max sci-fi romance Moonshot (which actually takes place on Mars), or Richard Linklater’s new film that was quietly released on Netflix, Apollo 10 1/2: A Space Age Adventure. For whatever reason, the first few months of 2022 have seen a surprising amount of moon-related releases.
0 kommentar(er)
